Good journalism can tell the story without turning someone’s worst day into a television spectacle.

August 25, 2026. 

When Tragedy Becomes a Sound Bite: Growing Disgust With “How Do You Feel?” Interviews and Social Media Videos.  We can Do Better. 

There is a moment in television news coverage of a tragedy that increasingly leaves viewers uncomfortable: the microphone is placed in front of someone who has just lost a loved one, and the first question is, “How do you feel?”Or the even more disgusting warning to the viewers before showing a tragic video clip.....or worse people that watch events filming on their phones instead of aiding those in need.  

For many viewers, the question seems almost painfully obvious. A family member has just learned that a loved one has died, witnessed a devastating event or is standing outside a hospital, crime scene or disaster area. They may be grieving, shocked or struggling to process what has happened.

Yet television cameras often arrive almost immediately, looking for an emotional reaction that can become the centerpiece of a news report or Social Media Addicts seeking attention post their video in hopes that it goes viral; Both actions may indicate sociopathic behavior.  

The practice has prompted growing criticism from people who believe journalism should inform the public without turning someone's worst moment into television.

When emotion becomes the story.

News organizations have a legitimate reason to speak with people directly affected by major events. Families and witnesses can provide important firsthand information and human context that official statements cannot.

The issue is often the timing and the question.

Asking a grieving person to describe their emotions moments after learning of a death can appear less like journalism and more like an attempt to capture ratings or social media followers.

Viewers frequently see questions such as, “How are you feeling right now?” or “What was going through your mind?” The answers may be deeply personal, but they rarely provide information that helps the public understand what happened.

Instead, the interview can place the burden on someone who is already suffering to perform their grief for an audience.

The problem with demanding an immediate reaction.

Grief does not follow a script.

Someone experiencing a sudden loss may not know what they feel yet. They may be numb, angry, confused or simply unable to speak. Others may not want their emotions broadcast to thousands or millions of strangers.

That is why some viewers argue that journalists should begin with questions that establish facts and allow people to decide whether they want to discuss their personal experiences.

There is a significant difference between asking a person what happened and asking them to emotionally relive the worst moment of their life for a television audience.

Journalism needs humanity, too.

Responsible reporting does not require journalists to avoid difficult conversations with victims and families. It does require judgment.

A reporter can ask whether someone is willing to speak. They can give grieving families space. They can focus on what the person wants the public to know rather than demanding an emotional response.

Sometimes the most respectful question is not a question about feelings at all.

It might be: “Is there anything you want people to know?”

That gives the person control over the conversation and allows them to decide what matters.

The audience is noticing.

The criticism is not necessarily about one network, one reporter or one political perspective. It reflects a broader frustration with a style of breaking-news coverage that can sometimes prioritize immediacy and emotional television over patience and compassion.

News organizations compete for attention, particularly during major tragedies. Emotional footage can be compelling, but compelling television is not always responsible journalism.

For viewers, the question increasingly becomes whether a grieving person needs to be interviewed at that moment at all.

There are stories that deserve to be told immediately. There are facts the public needs to know. And there are moments when the cameras should simply step back.

A person's grief should not have to become the price of admission for the public to understand a tragedy.

Good journalism or social media posts can tell the story without turning someone's worst day into a spectacle.